The Philosophical Mea Culpa of the Icons of the Death of the Author.

We will hereinafter discuss the author's philosophy on gnoseological and historical premises. More precisely, by exploring the genealogy of the idea of the "Death of the Author" from modernism to postmodernism, we will analyse the concepts and ideologies that have become the stratagem of the denial...

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Publicado en:Problems / Problemos Vol. 95; pp. 105 - 117
Autor principal: Krasniqi, Nysret
Formato: Artículo
Publicado: Vilnius University 2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Philosophical Mea Culpa of the Icons of the Death of the Author.
      aug:
        au: Krasniqi, Nysret
        affil: Department of Literature, Faculty of Philology, University of Prishtina
      su:
        Philosophy
        Philosophers
        Genealogy
        Theory of knowledge
        Symbolism
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          Philosophy
          Philosophers
          Genealogy
          Theory of knowledge
          Symbolism
      keyword:
        autoriaus mirtis
        classic literature
        identity
        klasikinė literatūra
        literatūros filosofija
        literatūros mokymas
        philosophy of literature
        tapatybė
        teaching of literature
        the Death of the Author
        autoriaus mirtis
        klasikinė literatūra
        literatūros filosofija
        literatūros mokymas
        tapatybė
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        We will hereinafter discuss the author's philosophy on gnoseological and historical premises. More precisely, by exploring the genealogy of the idea of the "Death of the Author" from modernism to postmodernism, we will analyse the concepts and ideologies that have become the stratagem of the denial of western literary canon, as well as the denial of equilibrium between philosophical and literary identity and universality. By treating the works of philosophers, authors, and fundamental semiologists who perpetuated the idea of the Death of the Author, we will observe how the latter gradually fled from the philosophy of doubt and as mea culpa admitted that without the author's authority the philosophical and literary legacy is no longer the theatre of memory, but the abyss of oblivion. Moreover, with fundamental examples, we will observe the influence of this philosophy in the process of studying of the literature.
        Straipsnyje aptariamos autoriaus filosofijos gnoseologinės ir istorinės prielaidos. Tiksliau, aptarę „autoriaus mirties" idėjos genealogiją nuo modernizmo iki postmodernizmo, analizuojame sąvokas ir ideologijas, kurios tapo strategemomis neigiant Vakarų literatūros kanoną, griaunant pusiausvyrą tarp filosofinės ir literatūrinės tapatybės bei universalumo. Nagrinėdami filosofų, autorių ir pagrindinių semiologų darbus, palaikiusius autoriaus mirties idėją, parodome, kaip ši palaipsniui išnyko iš abejonių filosofijos ir kaip mea culpa pripažino, kad be autoriaus autoriteto filosofinis ir literatūrinis palikimas liaujasi būti atminties teatru ir virsta užmaršties bedugne. Straipsnyje pasitelkdami fundamentalius pavyzdžius parodome šios filosofijos įtaką literatūros studijų procesui.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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