Shakespeare and the Limits of Cosmopolitanism.
The first mention of The Merchant of Venice appears in 1598, when a publisher announces that he is about to publish "a booke of the Marchaunt of Venyce, or otherwise called the Jewe of Venyce." And the first mention of Othello appears in 1622, when another publisher announced his intention to print...
| Publicado en: | Anachronist Vol. 18; no. 2; pp. 308 - 325 |
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| Formato: | Artículo |
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Anachronist
2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=136268339&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 136268339 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 12192589 7N3 jtl: Anachronist issn: 12192589 maglogo: N pubinfo: dt: 2018 vid: 18 iid: 2 pid: 20726 pub: Anachronist artinfo: ui: 136268339 10.53720/fqxr2530 ppf: 308 ppct: 17 formats: fmt: @attributes: type: P size: 878KB tig: atl: Shakespeare and the Limits of Cosmopolitanism. aug: au: KASTAN, DAVID SCOTT affil: Professor of English at Yale University su: Cosmopolitanism in literature Merchant of Venice, The (Play : Shakespeare) Belief & doubt Religion Protestantism Catholic Church Poets sug: subj: Cosmopolitanism in literature Merchant of Venice, The (Play : Shakespeare) Belief & doubt Religion Protestantism Catholic Church Poets ab: The first mention of The Merchant of Venice appears in 1598, when a publisher announces that he is about to publish "a booke of the Marchaunt of Venyce, or otherwise called the Jewe of Venyce." And the first mention of Othello appears in 1622, when another publisher announced his intention to print "The Tragoedie of Othello, the Moore of Venice." Shakespeare, thus, writes two plays whose titles seemingly claim something about the inclusiveness of the Venetian Republic: its ability to allow a conspicuous outsider to be "of" the very city that was known as the most sophisticated, commercial, and cosmopolitan community in Italy, indeed in all of Europe. In each, of course, the character discovers how provisional and vulnerable his existence is. The essay, therefore, looks at how Shakespeare understands the possibilities and challenges of cosmopolitanism, in ways that may help us understand something about Shakespeare' s world and perhaps something about our own. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Anachronist is the property of Anachronist and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Anachronist holder: Anachronist dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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