Backpages 29.1.

Backpages is an opportunity for the academy to engage with theatre and performance practice with immediacy and insight and for theatre workers and performance artists to engage critically and reflectively on their work and the work of their peers.This issue begins with an impassioned reflection on t...

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Publicado en:Contemporary Theatre Review Vol. 29; no. 1; pp. 101 - 113
Formato: Artículo
Publicado: Taylor & Francis Ltd Feb2019
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Backpages 29.1.
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        British theater
        Theater production & direction
        Stage actors & actresses
        Dramatists
        Dodgson, Elyse
        Gremina, Elena
        Ugarov, Mikhail
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        subj:
          British theater
          Theater production & direction
          Stage actors & actresses
          Dramatists
          Dodgson, Elyse
          Gremina, Elena
          Ugarov, Mikhail
      ab: Backpages is an opportunity for the academy to engage with theatre and performance practice with immediacy and insight and for theatre workers and performance artists to engage critically and reflectively on their work and the work of their peers.This issue begins with an impassioned reflection on thinking outside market-driven economics by theatre-maker Alan Lane. It continues with a tribute section to British playwright and influential mentor to a generation of British playwrights, Stephen Jeffreys, who passed away on 17 September 2018. It concludes with three in memoriam reflections to four extraordinary individuals of the theatre: Elyse Dodgson, who founded the International Department at the Royal Court Theatre in London; Elena Gremina and Mikhail Ugarov, who founded Teatr.doc in Russia; and the master playwright and teacher Maria Irene Fornes, who passed away at the age of 88 on 30 October 2018, after nearly ten-years of suffering from Alzheimer's-related illness. Fornes taught at least three generations of playwrights, among them Cherrie Moraga, Eduardo Machado, Nilo Cruz, Migdalia Cruz, Octavio Solis, and myself. – Caridad Svich
      pubtype: Academic Journal
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    language: English
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      custom: Copyright of Contemporary Theatre Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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