The Psalmic Oral Formula Revisited: A Cognitive-Performative Approach.

In the wake of Milman Parry's and Alfred Lord's groundbreaking discovery of oral composition in Homeric epics, biblical scholars analyzed the formulaic language of the biblical Psalms with a view toward establishing a similar compositional function. This approach met with little success. Among the m...

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Published in:Biblical Interpretation Vol. 27; no. 2; pp. 186 - 208
Main Author: Coleman, Stephen
Format: Article
Published: Brill Academic Publishers 2019
Subjects:
Online Access:View this record in EBSCOhost
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        atl: The Psalmic Oral Formula Revisited: A Cognitive-Performative Approach.
      aug:
        au: Coleman, Stephen
        affil: Westminster Theological Seminary, USA
      su:
        Biblical scholars
        Cognitive science
        Psalms (Musical form)
        Bible -- Criticism, Redaction
        Intertextuality
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        subj:
          Biblical scholars
          Cognitive science
          Psalms (Musical form)
          Bible -- Criticism, Redaction
          Intertextuality
      keyword:
        cognitive linguistics
        oral formula
        orality
        Psalms
      ab: In the wake of Milman Parry's and Alfred Lord's groundbreaking discovery of oral composition in Homeric epics, biblical scholars analyzed the formulaic language of the biblical Psalms with a view toward establishing a similar compositional function. This approach met with little success. Among the many recent refinements to the Oral-Formulaic theory is the distinction between oral composition and oral conception, a distinction which allows for identifying oral features of a "text" which do not necessarily reflect composition in performance. The goal of this article is two-fold. First this article proposes a new model for identifying oral formulas based on the theory of prototypical categorization developed within the field of cognitive sciences, particularly cognitive linguistics. Second, this article argues that the psalmic oral formulas are best understood as linguistic registers which evoke a performance arena, a feature of orally derived literature described most extensively by John Miles Foley.
      pubtype: Academic Journal
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    language: English
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