"Art of the Future": Julia Margaret Cameron's Poetry, Photography, and Pre-Raphaelitism.
The National Portrait Gallery's Victorian Giants: The Birth of Art Photography (2018) was the first exhibition to examine photography as "the art of the future" (Cullinan 6). Defying earlier conventions of still, dull portraiture, mid-century Victorian photographers turned the medium into an art for...
| Publicado en: | Victorian Studies Vol. 61; no. 2; pp. 204 - 216 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Indiana University Press
Winter2019
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=136893073&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 136893073 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00425222 VCS jtl: Victorian Studies issn: 00425222 maglogo: N pubinfo: dt: Winter2019 vid: 61 iid: 2 pid: 211 pub: Indiana University Press artinfo: ui: 136893073 10.2979/victorianstudies.61.2.04 ppf: 204 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.8MB tig: atl: "Art of the Future": Julia Margaret Cameron's Poetry, Photography, and Pre-Raphaelitism. aug: au: Witcher, Heather Bozant affil: Saint Louis University su: Cameron, Julia Margaret, 1815-1879 Pre-Raphaelitism English poetry Photography of art Painting sug: subj: Cameron, Julia Margaret, 1815-1879 Pre-Raphaelitism English poetry Photography of art Painting ab: The National Portrait Gallery's Victorian Giants: The Birth of Art Photography (2018) was the first exhibition to examine photography as "the art of the future" (Cullinan 6). Defying earlier conventions of still, dull portraiture, mid-century Victorian photographers turned the medium into an art form. While recent scholarship draws parallels between photography and painting, this essay gestures toward connections between art photography and Pre-Raphaelite poetry by examining the photographic process of Julia Margaret Cameron alongside her poem "On a Portrait" (1876). Positioning Cameron within a larger Pre-Raphaelite tradition, this essay argues that discourses surrounding nineteenth-century photography can help us to understand the characteristics of literary Pre-Raphaelitism and to broaden scholarly conceptions of Pre-Raphaelitism beyond the Pre-Raphaelite Brotherhood. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Victorian Studies is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Victorian Studies holder: Indiana University Press dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
|---|