Looking Beyond (and Before) Ancient Ballads : Toru Dutt's Sheaf and the Force of Abolition Time.

How are Victorianists negotiating the almost dizzying challenges posed by Victorian studies' increasingly explicit status as a convergence point—or flashpoint—for emerging, often expressly racialized transnational and transimperial histories? Taking Indo-Anglian poet and translator Toru Dutt's trans...

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Published in:Victorian Studies Vol. 61; no. 2; pp. 268 - 278
Main Author: Lootens, Tricia
Format: Article
Published: Indiana University Press Winter2019
Subjects:
Online Access:View this record in EBSCOhost
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        atl: Looking Beyond (and Before) Ancient Ballads : Toru Dutt's Sheaf and the Force of Abolition Time.
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        au: Lootens, Tricia
        affil: University of Georgia
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        Ballad (Literary form)
        Dutt, Toru
        Victorian Period, Great Britain, 1837-1901
        Heine, Heinrich, 1797-1856
        Poets
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          Ballad (Literary form)
          Dutt, Toru
          Victorian Period, Great Britain, 1837-1901
          Heine, Heinrich, 1797-1856
          Poets
      ab: How are Victorianists negotiating the almost dizzying challenges posed by Victorian studies' increasingly explicit status as a convergence point—or flashpoint—for emerging, often expressly racialized transnational and transimperial histories? Taking Indo-Anglian poet and translator Toru Dutt's translation of Heinrich Heine's "The Slaver" (1854, trans. 1880) as springboard, this essay recounts a personal experiment in looking outward by standing still. Revisiting familiar ground, intent on setting aside past lessons in how to "unread" (McGann 4), this project explores the effects of pursuing apparent tangents. Intimate, yet fractured, the resulting account of Dutt's relations to Heine suggests that the very project of conceiving transimperial Victorian studies may simultaneously require and transform understandings of the vexed, violent, and ongoing interplays of Victorian—and global—"Abolition time."
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