Reprints Revisited: Recollections of a Publisher (and a User).
A twentieth-century reprint is a publication that has used an optical technology—photography or scanning—to reproduce a publication that had previously been brought out by a publisher other than the reprinter. Today, reprints represent a small segment of the publications with which music librarians...
| Publicado en: | Notes Vol. 75; no. 4; pp. 620 - 634 |
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| Formato: | Artículo |
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Music Library Association Inc.
Jun2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=137006279&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 137006279 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00274380 TI2 jtl: Notes issn: 00274380 maglogo: N pubinfo: dt: Jun2019 vid: 75 iid: 4 pid: 1267 pub: Music Library Association Inc. artinfo: ui: 137006279 ppf: 620 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 170KB tig: atl: Reprints Revisited: Recollections of a Publisher (and a User). aug: au: Broude, Ronald su: Published reprints Afternoon of a Faun (Book) Debussy, Claude, 1862-1918 Music Publications sug: subj: Published reprints Afternoon of a Faun (Book) Debussy, Claude, 1862-1918 Music Publications ab: A twentieth-century reprint is a publication that has used an optical technology—photography or scanning—to reproduce a publication that had previously been brought out by a publisher other than the reprinter. Today, reprints represent a small segment of the publications with which music librarians deal, but during and after World War II, reprints were a major form of music publication, and, arguably, the principal means of making the canonical works of the West's musical heritage available for performance and study. Reprints in music were primarily a North American phenomenon, and began on a substantial scale during World War II, when German editions of standard orchestra, chamber, and solo works were unavailable in the United States and Canada. In the 1950s and 1960s, the expansion of higher education created a need for the collected editions, historical sets, and journals that had been published before World War II, but which had gone out of print. Reprints filled this need. In the 1960s, when academic researchers needed access to original sources, reprinters provided facsimiles (best understood as a form of reprint), first for library use and, in the 1980s, in forms that individuals could afford. The completion of many of the new collected edition begun after World War II made reprints of such publications superfluous, and, more recently, the availability of much primary and secondary source material on the Internet has substantially reduced the need for facsimiles, leaving reprints a viable form of publication in only a few small markets. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Notes is the property of Music Library Association Inc. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Notes holder: Music Library Association Inc. dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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