A comparison of the German and Russian literary intelligentsia in Arnold Hauser's Social History of Art.
To date, critical engagement with Arnold Hauser's sociology of art has been confined to the field of art history. This perspective has ignored Hauser's interest in literary history, which I argue is essential to his project. Hauser's dialectical model, composed of conflicting realist and formalist t...
| Published in: | Studies in East European Thought Vol. 71; no. 2; pp. 141 - 156 |
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| Format: | Article |
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Springer Nature
Jun2019
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| Online Access: | View this record in EBSCOhost |