Depression and Desynchronization of Temporal Relation in Lars von Trier's Antichrist and Melancholia.
This article aims to apply Thomas Fuchs' "Psychopathology of Interpersonal Time" to Lars von Trier's films Antichrist and Melancholia. Fuchs examines melancholia in patients with depression resulting from a desynchronization of inner time and common/social time. To successfully restore mental health...
| Publicado en: | Ekphrasis (2067-631X) Vol. 21; no. 1; pp. 109 - 123 |
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| Formato: | Artículo |
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Babes-Bolyai University, Faculty of Theatre & Television
2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=137126279&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 137126279 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 2067631X H6D0 jtl: Ekphrasis (2067-631X) issn: 2067631X maglogo: N pubinfo: dt: 2019 vid: 21 iid: 1 pid: 91118 pub: Babes-Bolyai University, Faculty of Theatre & Television artinfo: ui: 137126279 10.24193/ekphrasis.21.9 ppf: 109 ppct: 14 formats: fmt: @attributes: type: P size: 3.4MB tig: atl: Depression and Desynchronization of Temporal Relation in Lars von Trier's Antichrist and Melancholia. aug: au: Shu-Ting KAO, Justine affil: Tamkang University su: Depressed persons Mental health sug: subj: Depressed persons Mental health keyword: daimones depression desynchronization Lars von Trier rift ab: This article aims to apply Thomas Fuchs' "Psychopathology of Interpersonal Time" to Lars von Trier's films Antichrist and Melancholia. Fuchs examines melancholia in patients with depression resulting from a desynchronization of inner time and common/social time. To successfully restore mental health, an organism thus has to readapt to the socially accepted course of time. My article proposes the debunking of outside/common/social time as a container that accumulates the evilness of humanity, against which the heroines in von Trier's Antichrist and Melancholia resist, and thus the desynchronization or "inhibition of inner time" ensues. Overall, the heroines of both films are conscious of this desynchronization (which is embodied as "rift," a technique in the two films used to deal with the relationship between time and depression) and strive for resynchronization, though not with socially acceptable standards of time which teem with the evil of humanity. In the two films, von Trier rescues depression from a totalizing psychiatric or psychological framework, and he somewhat incorporates it into the force of Nature that overwhelms man's evil. Depression either enhances a force of resistance or brings tranquility as it draws one downward to encounter one's soul, which in Hillman's terms refers to "the images of daimones." Though the two films take different turns, both heroines reimagine liberation in their new/inner time. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Ekphrasis (2067-631X) is the property of Babes-Bolyai University, Faculty of Theatre & Television and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Ekphrasis (2067-631X) holder: Babes-Bolyai University, Faculty of Theatre & Television dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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