Selling the Duchess: Narratives of Celebrity in A Catalogue of the Portland Museum (1786).
The article focuses on Margaret Cavendish Bentinck duchess of Portland's identity as a private collector and curator. It mentions about engraved portrait of Margaret Cavendish Bentinck, Duchess of Portland pasted into Horace Walpole's personal copy of the Catalogue. It also examines how the duchess'...
| Publicado en: | Early Modern Women: An Interdisciplinary Journal Vol. 13; no. 2; pp. 3 - 33 |
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| Formato: | Artículo |
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University of Chicago Press
Spring2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=137135439&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 137135439 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 19330065 634R jtl: Early Modern Women: An Interdisciplinary Journal issn: 19330065 maglogo: N pubinfo: dt: Spring2019 vid: 13 iid: 2 pid: 415 pub: University of Chicago Press artinfo: ui: 137135439 10.1353/emw.2019.0001 ppf: 3 ppct: 30 formats: fmt: @attributes: type: P size: 2.7MB tig: atl: Selling the Duchess: Narratives of Celebrity in A Catalogue of the Portland Museum (1786). aug: au: Pelling, Madeleine su: Portland, Margaret Cavendish Holles Harley Bentinck, Duchess of, 1715-1785 Walpole, Horace, 1717-1797 Women collectors Portraits Catalogs sug: subj: Other printing Commercial Printing (except Screen and Books) Other publishers All Other Publishers Women collectors Portraits Catalogs Portland, Margaret Cavendish Holles Harley Bentinck, Duchess of, 1715-1785 Walpole, Horace, 1717-1797 ab: The article focuses on Margaret Cavendish Bentinck duchess of Portland's identity as a private collector and curator. It mentions about engraved portrait of Margaret Cavendish Bentinck, Duchess of Portland pasted into Horace Walpole's personal copy of the Catalogue. It also examines how the duchess's identity as a private collector extinguished at her death, was subsequently reinvented, positioning her instead as a curiosity to be bought and sold. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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