Transcending school: the continental impact of the Argentine educator Olga Cossettini, based on the experience of El niño y expresión, in the 1940s.

In the early 1940s Olga Cossettini, an Argentine teacher, received missives from several representatives of the cultural and educational world of the Americas. The event that allowed Cossettini's international relevance was the school artwork exhibition that took place in November 1939 in the Castag...

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Publicado en:Paedagogica Historica Vol. 55; no. 4; pp. 626 - 642
Autor principal: Fernandez, Sandra Rita
Formato: Artículo
Publicado: Taylor & Francis Ltd Aug2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Transcending school: the continental impact of the Argentine educator Olga Cossettini, based on the experience of El niño y expresión, in the 1940s.
      aug:
        au: Fernandez, Sandra Rita
        affil: Escuela de Historia, Facultad de Humanidades y Artes, Universidad Nacional de Rosario, Rosario, Argentina
      su:
        Cossettini, Olga
        Pan-Americanism
        Children's art
        Social networks
        John Simon Guggenheim Memorial Foundation
        Teachers
        El niño y expresión (Book)
        Twentieth century
        Intellectual life
        Argentina
      sug:
        subj:
          Argentina
          Cossettini, Olga
          Pan-Americanism
          Children's art
          Social networks
          John Simon Guggenheim Memorial Foundation
          Teachers
          El niño y expresión (Book)
          Twentieth century
          Intellectual life
      keyword:
        Cossettini
        social network
      ab: In the early 1940s Olga Cossettini, an Argentine teacher, received missives from several representatives of the cultural and educational world of the Americas. The event that allowed Cossettini's international relevance was the school artwork exhibition that took place in November 1939 in the Castagnino museum in the city of Rosario (Argentina). This experience surpassed the actual event when in 1940 a book of the same name as the exhibition was published. Its distribution led to Cossettini being invited personally by Henry Allen Moe to apply for the Guggenheim Fellowship. What is more, the distribution of the book also made her name and work known in Pan-American organisations of different types. The aim of this article is to put forward the personal and institutional networks and contacts that Cossettini developed throughout a given period in her career. A clear example of this is Ego, which allows us to observe the shaping process of pan-American intellectual connections. These connections included ideas that although founded in educational experiences, transcended their boundaries.
      pubtype: Academic Journal
      doctype: Article
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    language: English
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