Resisting Loss: Guilt and Consolation in Ian McEwan's Atonement.

Ian McEwan's Atonement re- traces the development of twentieth-century fiction from modernist amorality to postmodern relativism, incorporating their shared acknowledgements of the subjectivity of narrative. However, the novel both draws upon and moves beyond these modes of subjectivity as part of a...

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Published in:Journal of Modern Literature Vol. 42; no. 3; pp. 1 - 19
Main Author: Weston, Elizabeth
Format: Literary Criticism
Published: Indiana University Press Spring2019
Subjects:
Online Access:View this record in EBSCOhost
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        atl: Resisting Loss: Guilt and Consolation in Ian McEwan's Atonement.
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        au: Weston, Elizabeth
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        Atonement (Book : McEwan)
        McEwan, Ian, 1942-
        Atonement
        Relativity
        Sexual assault
        20th century (Literary period)
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          Atonement (Book : McEwan)
          McEwan, Ian, 1942-
          Atonement
          Relativity
          Sexual assault
          20th century (Literary period)
      keyword:
        consolation
        ethics
        history
        Ian McEwan
        narrative
      ab: Ian McEwan's Atonement re- traces the development of twentieth-century fiction from modernist amorality to postmodern relativism, incorporating their shared acknowledgements of the subjectivity of narrative. However, the novel both draws upon and moves beyond these modes of subjectivity as part of an ethically committed exploration of memory and history. On the one hand, McEwan's writer-figure, Briony, fails to grapple ethically with historical memory, preferring consolation to the real historical record. McEwan's novel itself, in containing Briony's work within a measure of critical distance, does not offer consolation. Rather, it creates an experience in which readers must move beyond Briony's shortcomings and toward a more nuanced acceptance of history's traumas, of the damages of war, and sexual violence: a way to truly do justice to historical memory.
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