Merchant machine: reaping Shakespeare's minor cash.
This essay reads Shakespeare's The Merchant of Venice as a machine: a machine made of connectors, disruptors, reversible engines and agentive parts. Starting from a minor detail in the play (from the inscription inside Gratiano's ring, or 'cutler's poetry'), it attends to the non-separability betwee...
| Publicado en: | Journal for Cultural Research Vol. 23; no. 1; pp. 64 - 80 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Mar2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=137434628&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 137434628 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14797585 QMJ jtl: Journal for Cultural Research issn: 14797585 maglogo: Y pubinfo: dt: Mar2019 vid: 23 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 137434628 10.1080/14797585.2019.1590927 ppf: 64 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.1MB tig: atl: Merchant machine: reaping Shakespeare's minor cash. aug: au: Garnier, Marie-Dominique affil: UMR legs CNRS, University of Paris 8, St Denis, France su: Merchant of Venice, The (Play : Shakespeare) Shakespeare, William, 1564-1616 Deleuze, Gilles, 1925-1995 Semiotics Guattari, Félix, 1930-1992 sug: subj: Merchant of Venice, The (Play : Shakespeare) Shakespeare, William, 1564-1616 Deleuze, Gilles, 1925-1995 Semiotics Guattari, Félix, 1930-1992 keyword: becoming-animal capitalism Deleuze and Guattari function-K Kafka lines of flight Merchant of Venice minor language minor literature multiplicity Shakespeare soundscape ab: This essay reads Shakespeare's The Merchant of Venice as a machine: a machine made of connectors, disruptors, reversible engines and agentive parts. Starting from a minor detail in the play (from the inscription inside Gratiano's ring, or 'cutler's poetry'), it attends to the non-separability between form and expression as conceptualized by Deleuze and Guattari in Kakfa. Towards a Minor Literature. Partly based on Nicholas Royle's resistance to finding 'puns and quibbles' in Shakespeare, it revisits language as asemiotic sound-design from an intermedial angle, connecting a critique of signs to the becoming-animal. It interrogates the play's semiotic and machinic breakdowns and stutterings, and connects Shakespeare's writing machine to its exterior – to its 'outside': to the reversible name of Shakespeare, broken into molecules, reverse-engineered into a proto-venture capitalist's schizoname – linking the playwright's name to the way Deleuze and Guattari read capitalism as a social machine in Anti-Œdipus. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal for Cultural Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal for Cultural Research holder: Taylor & Francis Ltd dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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