DRAWING SPANIARDS IN THE PHILIPPINES: Displacement, Brutalization, and the Dissident Eye of Ignacio del Villar.
This article explores the Spanish colonization of the Philippines and their colonial culture and society as portrayed in the comic strips by Ignacio del Villar, a Spanish cartoonist who drew for Philippine colonial magazines in Spanish. His pictures, whose principal audience was the Spanish-speaking...
| Publicado en: | Kritika Kultura no. 33/34; pp. 5 - 36 |
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| Formato: | Artículo |
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Kritika Kultura
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=137805101&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 137805101 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20946937 786B jtl: Kritika Kultura issn: 20946937 maglogo: N pubinfo: dt: 2020 iid: 33/34 pid: 51553 pub: Kritika Kultura artinfo: ui: 137805101 10.13185/1656-152x.1794 ppf: 5 ppct: 31 formats: fmt: @attributes: type: P size: 4.3MB tig: atl: DRAWING SPANIARDS IN THE PHILIPPINES: Displacement, Brutalization, and the Dissident Eye of Ignacio del Villar. aug: au: Ortuño Casanova, Rocío affil: Universiteit Antwerpen su: Spanish colonies Self-perception Social history Philippines sug: subj: Philippines Spanish colonies Self-perception Social history keyword: Bhabha colonial representation Fil-Hispanic culture Philippine cartoons Spanish cartoonists Spanish colonization of the Philippines ab: This article explores the Spanish colonization of the Philippines and their colonial culture and society as portrayed in the comic strips by Ignacio del Villar, a Spanish cartoonist who drew for Philippine colonial magazines in Spanish. His pictures, whose principal audience was the Spanish-speaking community of Manila in the late nineteenth and early twentieth centuries, satirize the alienation of the Western individual in the Philippines. His mockery of the generalized colonial attitude of "monarch of all I survey" links del Villar with dissident colonial accounts, as discussed by Mary Louise Pratt in Imperial Eyes. This article inquires on the reasons why del Villar seemingly veered away from traditional colonial discourses, resulting in the mockery of the self-image of social superiority that Spanish residents in the Philippines strived to maintain in a complex society where class and origin were difficult notions to define. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Kritika Kultura is the property of Kritika Kultura and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Kritika Kultura holder: Kritika Kultura dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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