Naturally Artificial: The Pre-Raphaelite Garden Enclosed.

The article examines the ways in which Pre-Raphaelitism begins to conceive of the walled garden as an analogue of both contemporary art and artistic consciousness. Topics include how the enclosed garden's paradoxical nature (open/closed, natural/artificial, free/constrained) contributes to the Pre-R...

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Detalles Bibliográficos
Publicado en:Victorian Poetry Vol. 57; no. 1; pp. 131 - 154
Autor principal: Roe, Dinah
Formato: Artículo
Publicado: Johns Hopkins University Press Spring2019
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        Pre-Raphaelitism
        21st century art
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        Art movements
        Consciousness
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          Pre-Raphaelitism
          21st century art
          Paradox
          Art movements
          Consciousness
      ab: The article examines the ways in which Pre-Raphaelitism begins to conceive of the walled garden as an analogue of both contemporary art and artistic consciousness. Topics include how the enclosed garden's paradoxical nature (open/closed, natural/artificial, free/constrained) contributes to the Pre-Raphaelite portrayal of consciousness as fluid, multivalent, and self-generating.
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    language: English
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