ALTERITIES OF SIGHT. BENCHMARKS OF MEDIATIC RE-VIEWING THE READING OF REALITY.
Television and new media construct a type of trade with the iconic sign. To the image is assigned an effervescent power, so that it can, under the pretext of illustrating, create a new perspective of the information-formation-seduction triad. The subjectivity of the image, caught between the liberty...
| Published in: | REVART: Specialized Review of Theory & Critique of Arts no. 28; pp. 54 - 61 |
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| Format: | Article |
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EDITURA Eurostampa
2017
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=138682069&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 138682069 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18411169 B8GY jtl: REVART: Specialized Review of Theory & Critique of Arts issn: 18411169 maglogo: N pubinfo: dt: 2017 iid: 28 pid: 63362 pub: EDITURA Eurostampa artinfo: ui: 138682069 ppf: 54 ppct: 7 formats: fmt: @attributes: type: P size: 2.5MB tig: atl: ALTERITIES OF SIGHT. BENCHMARKS OF MEDIATIC RE-VIEWING THE READING OF REALITY. aug: au: ILEA, Mihaiela affil: Faculty of Theatre and Television, Babeș-Bolyai University, Cluj-Napoca su: Phenomenology Professionalism Visual programming languages (Computer science) sug: subj: Phenomenology Professionalism Visual programming languages (Computer science) keyword: art audience communication television visual image visual language ab: Television and new media construct a type of trade with the iconic sign. To the image is assigned an effervescent power, so that it can, under the pretext of illustrating, create a new perspective of the information-formation-seduction triad. The subjectivity of the image, caught between the liberty of re-seeing the collective show of society and the responsibility of sight, can only be overcome through keeping a balance between the one who proposes the typology of the message (the journalist) and the one who is decoding it (the viewer). The two are united by the experience of seeing the same sample of reality and are separated by the role of phenomenology of communication means and the reception of visual language. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of REVART: Specialized Review of Theory & Critique of Arts is the property of EDITURA Eurostampa and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: REVART: Specialized Review of Theory & Critique of Arts holder: EDITURA Eurostampa dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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