THOUGHTS ON COMPOSITION.
The moment you utter it, the anguish in your mind has already begun: size, form - empty/full, centered/not centered, open/closed. How about the subject, the theme? Dot, line, mark, distortion, threedimensional volume, sound, etc.? Should it be the same as you did it before? Should I do it as I did i...
| Publicado en: | REVART: Specialized Review of Theory & Critique of Arts no. 28; pp. 129 - 139 |
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| Formato: | Artículo |
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EDITURA Eurostampa
2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=138682075&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 138682075 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18411169 B8GY jtl: REVART: Specialized Review of Theory & Critique of Arts issn: 18411169 maglogo: N pubinfo: dt: 2017 iid: 28 pid: 63362 pub: EDITURA Eurostampa artinfo: ui: 138682075 ppf: 129 ppct: 10 formats: fmt: @attributes: type: P size: 3.2MB tig: atl: THOUGHTS ON COMPOSITION. aug: au: STOICIU, Florin affil: National University of Arts Bucharest, Faculty of Fine Arts su: Engraving Anxiety Optical information processing sug: subj: Engraving Anxiety Optical information processing keyword: composition concept drawing engraving process ab: The moment you utter it, the anguish in your mind has already begun: size, form - empty/full, centered/not centered, open/closed. How about the subject, the theme? Dot, line, mark, distortion, threedimensional volume, sound, etc.? Should it be the same as you did it before? Should I do it as I did it before, or as he did it? How about as they did it? What should it be like? You just start thinking and asking yourself if you have the appropriate materials or even the financial means. Are you or are you not able to follow through with it and put your thoughts into action? Everything in your mind begins swirling and amalgamating, everything comes together on the same level, and then, everything comes apart up to the moment when you say ENOUGH! You finally decide to choose among a size, a surface or a volume. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of REVART: Specialized Review of Theory & Critique of Arts is the property of EDITURA Eurostampa and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: REVART: Specialized Review of Theory & Critique of Arts holder: EDITURA Eurostampa dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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