Inversiones en Los intereses creados, de Jacinto Benavente.
In this paper, the comedy Los intereses creados by Jacinto Benavente will be analyzed from two points of view: inversions and investments. On one hand, I will analyze the substitution or the inversion of dramatic and thematic concepts; and on the other, I will focus on the financial investments. The...
| Publicado en: | Neophilologus Vol. 103; no. 4; pp. 511 - 525 |
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| Autor principal: | |
| Formato: | Artículo |
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Springer Nature
Oct2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=138724977&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 138724977 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00282677 OK9 jtl: Neophilologus issn: 00282677 maglogo: N pubinfo: dt: Oct2019 vid: 103 iid: 4 pid: 237 pub: Springer Nature artinfo: ui: 138724977 10.1007/s11061-019-09606-9 ppf: 511 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 625KB tig: atl: Inversiones en Los intereses creados, de Jacinto Benavente. aug: au: Popovic Karic, Pol affil: Tecnológico de Monterrey, A2-213 Eugenio Garza Sada 2501 Sur, Col. Tecnológico, 64849, Monterrey, Nuevo León, Mexico su: Los intereses creados (Theatrical production) Benavente, Jacinto, 1866-1954 Inversions (Music) Investments Dramatic criticism sug: subj: Los intereses creados (Theatrical production) Benavente, Jacinto, 1866-1954 Inversions (Music) Investments Dramatic criticism keyword: Comedy Commedia dell'arte Irony Jacinto Benavente Los intereses creados ab: In this paper, the comedy Los intereses creados by Jacinto Benavente will be analyzed from two points of view: inversions and investments. On one hand, I will analyze the substitution or the inversion of dramatic and thematic concepts; and on the other, I will focus on the financial investments. The theoretical approaches to irony by Plato, Booth and Peter Roster will be used to analyze substitutions and investments. The complementary parts—substitutions, investments, irony and the characters—place this play in the rich tradition of the comedy and, even more specifically, in the context of commedia dell'arte. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Neophilologus is a copyright of Springer, 2019. All Rights Reserved. item: Neophilologus holder: Springer Nature dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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