The Art as the Conjectured Possible.
The fact that modern artists are turning toward science and the latest technologies—robotics, information technology, biomedicine—forces us to reformulate our concept of art. One need only imagine a "semi-living" cybernetic organism or a neural culture in the halls of a museum or gallery to understa...
| Publicado en: | Russian Studies in Philosophy Vol. 57; no. 2; pp. 182 - 202 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=138886352&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 138886352 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10611967 2CQ jtl: Russian Studies in Philosophy issn: 10611967 maglogo: N pubinfo: dt: Apr2019 vid: 57 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 138886352 10.1080/10611967.2019.1628574 ppf: 182 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.2MB tig: atl: The Art as the Conjectured Possible. aug: au: Bulatov, Dmitry su: Artists Robotics Information technology Medicine Cybernetics Neural development sug: subj: Artists Robotics Information technology Medicine Cybernetics Neural development keyword: art&science contemporary art hybridity non-anthropocentrism non-discrete media nonhuman actors technobiological art ab: The fact that modern artists are turning toward science and the latest technologies—robotics, information technology, biomedicine—forces us to reformulate our concept of art. One need only imagine a "semi-living" cybernetic organism or a neural culture in the halls of a museum or gallery to understand that the existing art infrastructure (storage, representation, etc.) is entirely unequipped for these kinds of works. All these nonhuman subjects interacting with one another give rise to a complex systemic whole, new spaces for the existence of art, where man is no longer assigned the most important role. Are there working concepts and formats of art that fall within the framework of these technological innovations? Can they help stimulate new, critical art research and interventions at the intersection of art, science, and technology? pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Russian Studies in Philosophy is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Russian Studies in Philosophy holder: Taylor & Francis Ltd dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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