Grabar la alteridad: Transferencias y mediaciones técnicas en la antropología mexicana.
Based on historical documents, press, museum collections, and academic publications, the early introduction of the phonograph in Mexico and its late incorporation into anthropology is the starting point to reconstruct the Mexican and American network cobuilt by this technology and the symmetrical an...
| Publicado en: | Studies in Latin American Popular Culture Vol. 37; pp. 155 - 178 |
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| Formato: | Artículo |
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University of Texas Press
2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=138934260&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 138934260 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07309139 LPC jtl: Studies in Latin American Popular Culture issn: 07309139 maglogo: N pubinfo: dt: 2019 vid: 37 pid: 519 pub: University of Texas Press artinfo: ui: 138934260 10.7560/slapc3708 ppf: 155 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 290KB tig: atl: Grabar la alteridad: Transferencias y mediaciones técnicas en la antropología mexicana. aug: au: Lira, Regina su: Anthropology Historical source material Museum storage facilities Social sciences Phonograph sug: subj: Anthropology Historical source material Museum storage facilities Social sciences Phonograph ab: Based on historical documents, press, museum collections, and academic publications, the early introduction of the phonograph in Mexico and its late incorporation into anthropology is the starting point to reconstruct the Mexican and American network cobuilt by this technology and the symmetrical and asymmetrical relational modes it helped reproduce and extend that built their respective social-science programs. We will address the question of why a technology is successful in one place and a failure in another through the reconstruction of the early attempts of the phonograph's transference to Mexico during the last decades of the nineteenth century and the process of its stabilization in Mexican anthropology until the 1940s. Based on Latour's technical mediation approach, the agentive role of this technological object renders visible the internal conflicts and intellectual traditions that assigned a specific role to Amerindian societies in Mexican anthropology, thus confronting the universal ambitions of the scientific program designed by the agents engaged in the process. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Studies in Latin American Popular Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studies in Latin American Popular Culture holder: University of Texas Press dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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