The Algorithmic Spectator: Watching Annie Dorsen's Work.
Annie Dorsen's digital theatre works reshape the possibilities of the encounter between humans and algorithmic forces. They both address and embody a world in which emotion, cognition, and narrative are increasingly controlled by algorithmic programs; and they invite the spectator to confront a nonh...
| Publicado en: | TDR: The Drama Review (MIT Press) Vol. 63; no. 4; pp. 66 - 88 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
MIT Press
Winter2019
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=139762920&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 139762920 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10542043 TDR jtl: TDR: The Drama Review (MIT Press) issn: 10542043 maglogo: N pubinfo: dt: Winter2019 vid: 63 iid: 4 pid: 776 pub: MIT Press artinfo: ui: 139762920 10.1162/dram_a_00875 ppf: 66 ppct: 22 formats: tig: atl: The Algorithmic Spectator: Watching Annie Dorsen's Work. aug: au: Felton-Dansky, Miriam su: Algorithms Dorsen, Annie Theater Emotions Computer programming Cognition Narratives sug: subj: Algorithms Dorsen, Annie Theater Emotions Computer programming Cognition Narratives ab: Annie Dorsen's digital theatre works reshape the possibilities of the encounter between humans and algorithmic forces. They both address and embody a world in which emotion, cognition, and narrative are increasingly controlled by algorithmic programs; and they invite the spectator to confront a nonhuman and algorithmic logic experientially, altered and pressurized by the terms of the theatre itself. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
|---|