Anthropocentric Wreckages: Diffracting bodies that haunt across time.
This article introduces the methodological tool of diffraction (Barad, 2007) to re-imagine the performance-based work of two artists, Kyoko Hayashi and Ana Mendieta. Both artists' work are investigated in terms of wreckage. There is the individual wreckage of the body; Kyoko is a hibakusha - she has...
| Publicado en: | Performance Research Vol. 24; no. 5; pp. 78 - 86 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jun- Aug2019
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| Acceso en línea: | Ver este registro en EBSCOhost |