Tune Families and Tune Histories: Melodic Resemblances in British and Irish Folk Tunes.

The internet has revolutionized public access to historical documents. It now makes it feasible to track down multiple versions of folk tunes with relative ease, at the desktop, and within attractive time frames. This paper discusses some of the online resources available, explores the implications...

Descripción completa

Detalles Bibliográficos
Publicado en:Folk Music Journal Vol. 11; no. 5; pp. 67 - 96
Autor principal: PENDLEBURY, CELIA
Formato: Artículo
Publicado: English Folk Dance & Song Society 2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=140260114&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 140260114
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        05319684
        QT9
      jtl: Folk Music Journal
      issn: 05319684
      maglogo: N
    pubinfo:
      dt: 2020
      vid: 11
      iid: 5
      pid: 16410
      pub: English Folk Dance & Song Society
    artinfo:
      ui: 140260114
      ppf: 67
      ppct: 29
      formats:
        fmt:
          @attributes:
            type: P
            size: 13.7MB
      tig:
        atl: Tune Families and Tune Histories: Melodic Resemblances in British and Irish Folk Tunes.
      aug:
        au: PENDLEBURY, CELIA
      su:
        Tune-books
        British folk music
        Irish music
        Motif (Music composition)
        Musicology
      sug:
        subj:
          Tune-books
          British folk music
          Irish music
          Motif (Music composition)
          Musicology
      ab: The internet has revolutionized public access to historical documents. It now makes it feasible to track down multiple versions of folk tunes with relative ease, at the desktop, and within attractive time frames. This paper discusses some of the online resources available, explores the implications that can be derived from them, draws attention to the quantity and relevance of historically commercially published material, and questions whether some early twentieth-century assertions about folk music might be due for revision as a result.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Folk Music Journal is the property of English Folk Dance & Song Society and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Folk Music Journal
      holder: English Folk Dance & Song Society
      dt:
        @attributes:
          year: 2020
    holdings:
      @attributes:
        islocal: N