Carole Maigné, Une science autrichienne de la forme. Robert Zimmermann (1824–1898), (Essais d'art et de philosophie), Paris: Vrin, 2017, 232 pp.

Maigné's essay deals with Robert Zimmermann, more specifically with his as yet little known science of form. Maigné's central concern, i. e. the "morphology of the beautiful", lets us discover Zimmermann's prolific I oeuvre i , in particular his I Geschichte der Ästhetik als philosophischer Wissensc...

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Publicado en:Archiv für Geschichte der Philosophie Vol. 101; no. 4; pp. 619 - 623
Autor principal: Rieber, Audrey
Formato: Book Review
Publicado: De Gruyter Dec2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Carole Maigné, Une science autrichienne de la forme. Robert Zimmermann (1824–1898), (Essais d'art et de philosophie), Paris: Vrin, 2017, 232 pp.
      aug:
        au: Rieber, Audrey
        affil: IHRIM (Institut d'Histoire des Représentations et des idées dans les modernités), École Normale Supérieure de Lyon, 15 parvis René Descartes, BP 7000, 69342 Lyon Cedex 07, Lyon, FR
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        Philosophy of science
        Science education
        Spacetime
        German philosophy
        Art history
        Paris (France)
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        subj:
          Paris (France)
          Philosophy of science
          Science education
          Spacetime
          German philosophy
          Art history
      ab: Maigné's essay deals with Robert Zimmermann, more specifically with his as yet little known science of form. Maigné's central concern, i. e. the "morphology of the beautiful", lets us discover Zimmermann's prolific I oeuvre i , in particular his I Geschichte der Ästhetik als philosophischer Wissenschaft i (1858), I Zur Reform der Ästhetik als exacter Wissenschaft i (1862), and his I Allgemeine Ästhetik als Formwissenschaft i (1865). Maigné also engages with Zimmermann's many essays on art collected in the two-volume I Studien und Kritiken zur Philosophie und Ästhetik i (1870).
      pubtype: Review
      doctype: Book Review
      src: R
    language: English
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