The Rhythmotron.
This paper describes the Rhythmotron: a percussion-centered robotic orchestrion, commissioned for the CoLABS festival in Sydney in 2017. The authors describe how they electronically reimagined the mechanical components of a cylinder piano by using a variant of the XronoMorph software, and they consi...
| Published in: | Leonardo Music Journal Vol. 29; pp. 67 - 73 |
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| Main Authors: | , |
| Format: | Article |
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MIT Press
Dec2019
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| Subjects: | |
| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=140291945&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 140291945 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2019 vid: 29 pid: 776 pub: MIT Press artinfo: ui: 140291945 10.1162/lmj_a_01066 ppf: 67 ppct: 6 formats: fmt: @attributes: type: P size: 4.5MB tig: atl: The Rhythmotron. aug: au: Taylor, John R. Milne, Andrew J. affil: John R. Taylor (researcher), MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Locked Bag 1797, Penrith NSW 2751, Australia. Andrew J. Milne (researcher), MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Locked Bag 1797, Penrith NSW 2751, Australia. su: Actuators Piano Robots Robotics Rhythm Sydney (N.S.W.) sug: subj: Sydney (N.S.W.) Actuators Piano Robots Robotics Rhythm ab: This paper describes the Rhythmotron: a percussion-centered robotic orchestrion, commissioned for the CoLABS festival in Sydney in 2017. The authors describe how they electronically reimagined the mechanical components of a cylinder piano by using a variant of the XronoMorph software, and they consider the synergy between algorithmically generated rhythms in a digital environment alongside its analogous mechanical counterpart. The authors detail the idiosyncratic behaviors of linear actuators when used to power drumming robots, and they discuss the aesthetic implications of the Rhythmotron. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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