The Ineluctable Sign in Sartre's Account of Franconay's Imitation.
The most interesting example of all the physical images that Sartre examines in L'Imaginaire concerns a female performer's (Franconay's) imitation of a male performer (Chevalier). The example is a unique instance in which Sartre deals explicitly with the possibility of ambiguity and hybridity in con...
| Publicado en: | Studia Phaenomenologica Vol. 19; pp. 311 - 326 |
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| Formato: | Artículo |
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Zeta Books
2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=140387567&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 140387567 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 15825647 8XIP jtl: Studia Phaenomenologica issn: 15825647 maglogo: N pubinfo: dt: 2019 vid: 19 pid: 71195 pub: Zeta Books artinfo: ui: 140387567 10.5840/studphaen20191916 ppf: 311 ppct: 15 formats: fmt: @attributes: type: P size: 1.3MB tig: atl: The Ineluctable Sign in Sartre's Account of Franconay's Imitation. aug: au: Süner, Ahmet affil: Yaşar University su: Consciousness Ambiguity Microorganisms Possibility Entertainers sug: subj: Consciousness Ambiguity Microorganisms Possibility Entertainers keyword: image imitation perception Sartre sign ab: The most interesting example of all the physical images that Sartre examines in L'Imaginaire concerns a female performer's (Franconay's) imitation of a male performer (Chevalier). The example is a unique instance in which Sartre deals explicitly with the possibility of ambiguity and hybridity in consciousness. Sartre's introduction of the sign into the consciousness of imitation ties the perception of Franconay with the imaged Chevalier, but it also leads to the dissemination of the sign across the entire consciousness, a consequence that runs against Sartre's analytic tendencies. I argue that, despite Sartre's endeavor to keep the sign separate from perception and the image, the sign is a diffuse property of the entire consciousness of imitation, penetrating and contaminating its every instant. Sartre's account of Franconay's imitation contains the germs of the destruction of his clear-cut analytic distinctions, revealing the irreducible hybridity of the sign with both perception and the image. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Studia Phaenomenologica is the property of Zeta Books and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studia Phaenomenologica holder: Zeta Books dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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