"Like‐Sensing Subjects": Husserl and Dance.
In recent years, it has become almost I de rigueur i for a philosopher to write about dance or to associate with a certain dancer: Giorgio Agamben and Isadora Duncan; Georges Didi-Huberman and Israel Galván; Alva Noë and William Forsythe (among others); Bruno Latour and Stéphanie Ganachaud; Jacques...
| Published in: | Midwest Studies In Philosophy (Wiley-Blackwell) Vol. 44; no. 1; pp. 21 - 38 |
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| Format: | Article |
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Wiley-Blackwell
Dec2019
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=140855236&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 140855236 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03636550 N82 jtl: Midwest Studies In Philosophy (Wiley-Blackwell) issn: 03636550 maglogo: Y pubinfo: dt: Dec2019 vid: 44 iid: 1 pid: 480 pub: Wiley-Blackwell artinfo: ui: 140855236 10.1111/misp.12117 ppf: 21 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 168KB tig: atl: "Like‐Sensing Subjects": Husserl and Dance. aug: au: Noland, Carrie su: Dance Passivity (Psychology) Fashion Ballroom dancing Developmental psychology Dance rehearsals Phenomenological psychology sug: subj: Dance Passivity (Psychology) Fashion Ballroom dancing Developmental psychology Dance rehearsals Phenomenological psychology ab: In recent years, it has become almost I de rigueur i for a philosopher to write about dance or to associate with a certain dancer: Giorgio Agamben and Isadora Duncan; Georges Didi-Huberman and Israel Galván; Alva Noë and William Forsythe (among others); Bruno Latour and Stéphanie Ganachaud; Jacques Rancière and everyone; Alain Badiou and... no one in particular. What I am about to describe is by no means every dance student's experience of a dance class. 2 Much good work has been done on the ontological status of the "dance" as a specific type of work to be separated from the dancers who embody it; see, for instance, Frédéric Pouillaude, I Le désoeuvrement chorégraphique: Étude sur la notion d'oeuvre en danse i (Paris: Vrin, 2014); Isabelle Launay, I Les Dances d'après (1): Poétiques et politiques des repertoires (Pantin: Centre national de danse, 2017). i 36 Rudolf von Laban, the dancer, choreographer, and theorist (who invented the Laban dance notation system) identified eight different "effort qualities" based on four movement elements: (1) directionality - direct or indirect; (2) weightedness - light or heavy; (3) speed - quick or sustained; and (4) flow - bound or free. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Midwest Studies In Philosophy (Wiley-Blackwell) is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Midwest Studies In Philosophy (Wiley-Blackwell) holder: Wiley-Blackwell dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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