The Re-creation of a Narrator: Nonnus of Panopolis' Paraphrase of the Gospel of John 1:1–45.

This study considers the voice of the narrator in the Paraphrase of the Gospel of John, written by Nonnus of Panopolis in the fifth century, focusing on his self-presentation as both Johannine and Homeric narrator. The Paraphrase of the Gospel of John lacks explicit statements of poetic intent simil...

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Publicado en:Symbolae Osloenses Vol. 93; no. 1; pp. 209 - 234
Autor principal: Miguélez-Cavero, Laura
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Re-creation of a Narrator: Nonnus of Panopolis' Paraphrase of the Gospel of John 1:1–45.
      aug:
        au: Miguélez-Cavero, Laura
        affil: St John's College, University of Oxford, UK
      su:
        Paraphrase
        Homer, fl. ca. 900 B.C.-ca. 801 B.C.
        Narrators
        Self-presentation
        Ambivalence
        Hymns
        Vocabulary
      sug:
        subj:
          Paraphrase
          Homer, fl. ca. 900 B.C.-ca. 801 B.C.
          Narrators
          Self-presentation
          Ambivalence
          Hymns
          Vocabulary
      keyword:
        exegesis
        Gospel of John
        Homer
        intertextuality
        narrator
        Nonnus of Panopolis
        orthodoxy
        paraphrase
      ab: This study considers the voice of the narrator in the Paraphrase of the Gospel of John, written by Nonnus of Panopolis in the fifth century, focusing on his self-presentation as both Johannine and Homeric narrator. The Paraphrase of the Gospel of John lacks explicit statements of poetic intent similar to the prefaces of other poetic paraphrases, such as Juvencus' Evangeliorum libri quattuor and the Metaphrasis Psalmorum, but a close reading of Nonnus' poetic version of the so-called "Hymn to the Logos" and the gospel original (Jo. 1:1–18) reveals similar strategies at work. The paraphrastic narrator incorporates to his reading of the gospel later exegesis, reserves John's characteristic repetition of vocabulary for significant terms, and signals his ambivalence towards Homer through his avoidance of Homeric vocabulary in the first lines of his poem.
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      custom: Copyright of Symbolae Osloenses is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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