The Cinematic Subject of Masumura Yasuzo.
Although Masumura Yasuzo (1924-1986) worked within a commercial film studio (Daiei) his entire career, he was an intellectual and aesthetic maverick, having studied law and philosophy at Tokyo University and spent two years studying film making and film history in Italy. He left a substantial body o...
| Publicado en: | Wenshan Review of Literature & Culture Vol. 13; no. 1; pp. 151 - 180 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
National Chengchi University, Department of English
Dec2019
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=141165804&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 141165804 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 20771282 KVUO jtl: Wenshan Review of Literature & Culture issn: 20771282 maglogo: N pubinfo: dt: Dec2019 vid: 13 iid: 1 pid: 21485 pub: National Chengchi University, Department of English artinfo: ui: 141165804 10.30395/WSR.201912_13(1).0007 ppf: 151 ppct: 29 formats: fmt: @attributes: type: P size: 8.9MB tig: atl: The Cinematic Subject of Masumura Yasuzo. aug: au: Jackson, Earl affil: Chair Professor, Department of Foreign Languages and Literature, Asia University, Taiwan su: Filmmaking Jurisprudence Film studies Italian history Legal education Motion picture studios Italy sug: subj: Italy Filmmaking Jurisprudence Film studies Italian history Legal education Motion picture studios keyword: film history film theory gender Japanese cinema Masumura Yasuzo post-war Japan subjectivity ab: Although Masumura Yasuzo (1924-1986) worked within a commercial film studio (Daiei) his entire career, he was an intellectual and aesthetic maverick, having studied law and philosophy at Tokyo University and spent two years studying film making and film history in Italy. He left a substantial body of theoretical writings. This essay is an attempt to extrapolate his theory of a post-war Japanese subjectivity realized in cinema, reading his writings in the context of several of his early major films. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Wenshan Review of Literature & Culture is the property of National Chengchi University, Department of English and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Wenshan Review of Literature & Culture holder: National Chengchi University, Department of English dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
|---|