Producing Space for Shakespeare.
Lefebvre describes how 'space is lived not represented (or conceived)' in the context of his spatial triad of perceived, conceived and lived spaces. This article focuses on the extent to which Shakespeare can enable those who feel imprisoned (whether literally or through social, mental, physical or...
| Publicado en: | Critical Survey Vol. 31; no. 4; pp. 65 - 77 |
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| Formato: | Artículo |
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Berghahn Books
Winter2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=141671162&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 141671162 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00111570 4SI jtl: Critical Survey issn: 00111570 maglogo: N pubinfo: dt: Winter2019 vid: 31 iid: 4 pid: 1130 pub: Berghahn Books artinfo: ui: 141671162 10.3167/cs.2019.310407 ppf: 65 ppct: 12 formats: fmt: @attributes: type: P size: 292KB tig: atl: Producing Space for Shakespeare. aug: au: Mackenzie, Rowan su: Shakespeare, William, 1564-1616 Prisons Social space Foucault, Michel, 1926-1984 Communication sug: subj: Shakespeare, William, 1564-1616 Prisons Social space Foucault, Michel, 1926-1984 Communication keyword: adaptation communication issues Henri Lefebvre heterotopia Michel Foucault Othello prison Shakespeare social spaces ab: Lefebvre describes how 'space is lived not represented (or conceived)' in the context of his spatial triad of perceived, conceived and lived spaces. This article focuses on the extent to which Shakespeare can enable those who feel imprisoned (whether literally or through social, mental, physical or economic constraints) to expand the space in which they exist. Drawing on the work of Lefebvre and Foucault in their consideration of spatial creation, manipulation and alteration by the social experiences within it, I develop on these theories to focus specifically on the use of Shakespeare's plays to evolve these, often constraining, spaces into somewhere that gives the participants the freedom and space to explore alternatives to their previous experiences of life. This article considers the impact of using Shakespeare as a method of creating space for a group of men in Leicester Prison as part of their 2017 Talent Unlocked Arts Festival. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Critical Survey is the property of Berghahn Books and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Critical Survey holder: Berghahn Books dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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