Printing Petrarch in the Mid-Cinquecento: Giolito, Vellutello, and Collaborative Authorship.
This article uses the theory of collaborative authorship to evaluate the ways in which multiple authorities operate within the pages of sixteenth-century editions of Petrarch's Rerum vulgarium fragmenta (Rvf) and Triumphi printed by Gabriele Giolito. These authorities include Petrarch as author of t...
| Publicado en: | Italian Studies Vol. 75; no. 1; pp. 20 - 41 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=141718415&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 141718415 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00751634 AYQ jtl: Italian Studies issn: 00751634 maglogo: N pubinfo: dt: Feb2020 vid: 75 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 141718415 10.1080/00751634.2020.1698506 ppf: 20 ppct: 21 formats: fmt: – @attributes: type: T db: hlh ui: 141718415 – @attributes: type: P db: hlh ui: 141718415 tig: atl: Printing Petrarch in the Mid-Cinquecento: Giolito, Vellutello, and Collaborative Authorship. aug: au: Daniels, Rhiannon affil: University of Bristol su: Authorship Publishing Authors Literature Poetry (Literary form) sug: subj: Authorship Publishing Authors Literature Independent writers and authors Independent Artists, Writers, and Performers Other publishers Book Publishers All Other Publishers Poetry (Literary form) keyword: collaborative authorship Giolito page design paratext Petrarch Vellutello collaborative authorship Giolito page design paratext Petrarch Vellutello ab: This article uses the theory of collaborative authorship to evaluate the ways in which multiple authorities operate within the pages of sixteenth-century editions of Petrarch's Rerum vulgarium fragmenta (Rvf) and Triumphi printed by Gabriele Giolito. These authorities include Petrarch as author of the poems, Vellutello as author of the commentary, and the printer-publisher Giolito, whose publishing enterprise creates additional paratexts and frames the project through its visual-material design decisions. I argue that the dynamics of textual design demonstrate that the authority vested in the edition rests on the role played by Giolito, as much as on that of Vellutello or Petrarch. The making of a text-object is a collective enterprise that encourages us to look beyond the figures of canonical individuals and attribute creative agency to aspects of the publishing industry which are often less visible to the critical gaze. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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