Aesthetic conception of Russian Formalism: the cognitive view.
At present the theory of Russian Formalism becomes actual once again owing to the rapid development of cognitive science. Aesthetic theories recently put forward within the framework of cognitive science turned out to be consonant with the Formalist's views on the general principles of artistic acti...
| Publicado en: | Sign Systems Studies Vol. 31; no. 2; pp. 523 - 533 |
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| Formato: | Artículo |
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University of Tartu
2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=14180751&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 14180751 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14064243 DSW jtl: Sign Systems Studies issn: 14064243 maglogo: N pubinfo: dt: 2003 vid: 31 iid: 2 pid: 25096 pub: University of Tartu artinfo: ui: 14180751 10.12697/sss.2003.31.2.12 ppf: 523 ppct: 10 formats: fmt: @attributes: type: P size: 279KB tig: atl: Aesthetic conception of Russian Formalism: the cognitive view. aug: au: Gretchko, Valerij affil: Bredowstr, 52, 44309 Dortmund, Germany su: Formalism (Literary analysis) Cognitive science Literary movements Semiotics Criticism Russia sug: subj: Russia Formalism (Literary analysis) Cognitive science Literary movements Semiotics Criticism ab: At present the theory of Russian Formalism becomes actual once again owing to the rapid development of cognitive science. Aesthetic theories recently put forward within the framework of cognitive science turned out to be consonant with the Formalist's views on the general principles of artistic activity. In my paper I argue that (1) the theory of Russian Formalism contains a number of methodological assumptions that are close to a cognitive approach; (2) some of the main principles of the Formalist theory (e.g., “elimination of automatism of perception” or “the dominant”) permit the reformulation into cognitive terms; (3) such reformulation is not only possible, but useful because it makes the theory more powerful for explanation of the artistic phenomena. The findings from the new field of cognitive science not only prove some Formalist theses, but deepen and specify them as well. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Sign Systems Studies is the property of University of Tartu and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Sign Systems Studies holder: University of Tartu dt: @attributes: year: 2003 holdings: @attributes: islocal: N |
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