ЖАНРОВО-СТИЛЬОВІ ОСОБЛИВОСТІ МАЛОЇ ПРОЗИ ОЛЬГИ МАК
Genre-style parameters of creation of small prose of Ukrainian diaspora writer Olha Mak have investigated in the article. The attention is focused on the context of ideological specifics, problems, stylistic features and the aspect of artistic text. It is found out that the model of the story «Cypre...
| Publicado en: | Problems of Contemporary Literary Studies / Problemy Suchasnoho Literaturoznavstva no. 29; pp. 145 - 157 |
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| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
I. I. Mechnikov Odessa National University
2019
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | Genre-style parameters of creation of small prose of Ukrainian diaspora writer Olha Mak have investigated in the article. The attention is focused on the context of ideological specifics, problems, stylistic features and the aspect of artistic text. It is found out that the model of the story «Cypress Cross» is based on a combination of irrational, rational, mythological concepts of the image of man and the world, as well as a combination of cultural and existential dimensions. Genre-style features reveal the specifics of the plot at the level of the chronotope, time-space matrix, events and imagery. It is proved that the author’s The Tale of Kyivan Beauty Podolianka (Kazka pro Kyianku Krasuniu Podolianku), according to the genre-stylistic parameters, meets all the criteria that are correlated with this genre: the elements of the realities are combined with fabrication, fantasy, they reinforce the true perception of the text content of the didactic-verbal game by the reader. In the structural organization of the fairy tale there is a combination of author’s invention with real historical time. The reflection of the semantic loads of symbol are observed in the titles and paragraphs. The conclusions emphasize the inextricable connection between the elements of the partex with the main text. There is a multifunctionality of the «title-paratekst-text» link, as they appear simultaneously as a commentary on the main text in the frame of metaphors, stylistic figures. The meta-technical connections of the historical narration of O. Mak indicate the parallel existence of a separate nation with the life of well-known personalities, time space with real events and facts in the past, but with a projection into the future. This projection from the writer’s pen sounds like a warning to mankind. When choosing names of the headings for subdivisions, the writer hints at the parallels in the history of nations, famous personalities, facts, events. Epithetic metaphors, presented in partexts, interpret the main text, reveal the attitude of the author, who conducts a dialogue with the reader and encourages him to comprehend the ontological foundations of the environment, as well as to extend the semantic boundaries of the subtitle titles. The analysis of text elements testifies to the meta-technical connections of the historical narration of O. Mak. В статье исследованы жанрово-стилевые параметры создания малой прозы украинской диаспорной писательницы Ольги Мак. Внимание сосредоточено на контексте идейной специфики, проблематики, стилевых особенностей и аспекте художественного текста. Выяснено, что модель рассказа «Кипарисовый крестик » построена на сочетании иррациональной, рациональной, мифологической концепции изображения человека и мира, а также на сочетании культурологиче- ского и экзистенциального измерений. Жанрово-стилевые признаки раскрывают специфику сюжета на уровне хронотопа, пространственной матрицы, событий и образности. Доказано, что авторская «Сказка о Киянке Красавице Подолянке» в жанрово-стилевых параметрах соответствует всем критериям, соотносимых с таким жанром: элементы реалий объединены с вымыслом, фантазией, они уси- ливают настоящее восприятие читателем текстового наполнения дидактиче- ски- словесной игры. |
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