El Santo vs. Mystery Science Theater 3000: Lucha Libre's Transnational Journey into American Popular Culture.

The article identifies the imperialist attitudes that characterized initial transnational encounters between North Americans and the Santo films, as well as how those framework6+s influence later depictions of lucha libre outside of Mexico. It mentions the characterization of Santo films starring ma...

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Publicado en:Velvet Light Trap: A Critical Journal of Film & Television no. 85; pp. 43 - 53
Autor principal: Rodriguez, Emily Rauber
Formato: Artículo
Publicado: University of Texas Press Spring2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Rodriguez, Emily Rauber
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        Imperialism & motion pictures
        Mexican films
        Mystery Science Theater 3000 (TV program)
        Motion pictures
        Wrestling
        Mexico
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          Mexico
          Imperialism & motion pictures
          Mexican films
          Mystery Science Theater 3000 (TV program)
          Motion pictures
          Wrestling
      ab: The article identifies the imperialist attitudes that characterized initial transnational encounters between North Americans and the Santo films, as well as how those framework6+s influence later depictions of lucha libre outside of Mexico. It mentions the characterization of Santo films starring masked luchador El Santo and television program 'Mystery Science Theater 3000'; and also highlights the decision of Mexican government to ban televised wrestling matches.
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    language: English
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