Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments.
This article explores how computation opens up possibilities for new musical practices to emerge through technology design. Using the notion of the cultural probe as a lens, we consider the digital musical instrument as an experimental device that yields findings across the fields of music, sociolog...
| Publicado en: | Organised Sound Vol. 25; no. 1; pp. 64 - 75 |
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| Autores principales: | , , , , |
| Formato: | Artículo |
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Cambridge University Press
Apr2020
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=142066977&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 142066977 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13557718 G0N jtl: Organised Sound issn: 13557718 maglogo: N pubinfo: dt: Apr2020 vid: 25 iid: 1 pid: 15979 pub: Cambridge University Press artinfo: ui: 142066977 10.1017/S1355771819000475 ppf: 64 ppct: 11 formats: tig: atl: Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments. aug: au: Tahıroğlu, Koray Magnusson, Thor Parkinson, Adam Garrelfs, Iris Tanaka, Atau affil: Aalto University School of Arts, Design and Architecture, Finland. University of Sussex, Brighton , UK. London South Bank University, UK. Goldsmiths University of London, UK. su: Electronic musical instruments Computer composition Musical instruments Acoustics Musical composition sug: subj: Electronic musical instruments Computer composition Musical instruments Acoustics Musical composition ab: This article explores how computation opens up possibilities for new musical practices to emerge through technology design. Using the notion of the cultural probe as a lens, we consider the digital musical instrument as an experimental device that yields findings across the fields of music, sociology and acoustics. As part of an artistic-research methodology, the instrumental object as a probe is offered as a means for artists to answer questions that are often formulated outside semantic language. This article considers how computation plays an important role in the authors' personal performance practices in different ways, which reflect the changed mode-of-being of new musical instruments and our individual and collective relations with them. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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