Dissonant Terror: Stockhausen's Lucifer and the Art of 9/11.
Karlheinz Stockhausen created a scandal when he described the 9/11 attacks on the World Trade Center as the greatest work of art, which he attributed to Lucifer, the archetypal rebel of his opera-cycle LICHT. In trying to understand Stockhausen's comment, it is useful to examine his conceptualizatio...
| Publicado en: | Journal of Musicological Research Vol. 39; no. 1; pp. 1 - 24 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=142124166&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 142124166 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01411896 7WF jtl: Journal of Musicological Research issn: 01411896 maglogo: N pubinfo: dt: 2020 vid: 39 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 142124166 10.1080/01411896.2020.1714442 ppf: 1 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 2MB tig: atl: Dissonant Terror: Stockhausen's Lucifer and the Art of 9/11. aug: au: Parsons, Ian affil: Monash University su: Stockhausen, Karlheinz, 1928-2007 World Trade Center (New York, N.Y. : 1970-2001) Sensory perception Scandals Terrorism sug: subj: Stockhausen, Karlheinz, 1928-2007 World Trade Center (New York, N.Y. : 1970-2001) Sensory perception Scandals Terrorism ab: Karlheinz Stockhausen created a scandal when he described the 9/11 attacks on the World Trade Center as the greatest work of art, which he attributed to Lucifer, the archetypal rebel of his opera-cycle LICHT. In trying to understand Stockhausen's comment, it is useful to examine his conceptualization of Lucifer by drawing on Lacan's psychic register of the Real and Adorno's concept of dissonance, at the same time critiquing the composer's perception and depiction of some of the darker regions of the human psyche. Such an examination suggests that Stockhausen's depiction of Lucifer represents a view of terrorism as a symptom of society's inability to reconcile with its own internal contradictions and dissonance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Musicological Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Musicological Research holder: Taylor & Francis Ltd dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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