Devlin's Love: Autopoiesis and Harold Pinter's Ashes to Ashes.
This paper uses the concept of autopoiesis to describe Harold Pinter's approach to dramatic composition. The playwright strikes a first note and allows the play to emerge from the resonances and feedback patterns of that note. This autopoietical aesthetic, I argue, began with Samuel Beckett and flow...
| Published in: | Substance: A Review of Theory & Literary Criticism Vol. 49; no. 1; pp. 74 - 97 |
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| Format: | Article |
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Johns Hopkins University Press
2020
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| Online Access: | View this record in EBSCOhost |