"The Echo-Harbouring Shell": Of Shells and Selves in Paul Valéry and W.B. Yeats.

In myth, Echo lives in hollow places. Gaston Bachelard advances the shell as one of those locations. W.B. Yeats and Paul Valéry, however, deploy it as a physical object and a poetic trope. For them, the shell is a figure of echo of both poetry and subjectivity. Yet where Yeats uses the figure in his...

Descripción completa

Detalles Bibliográficos
Publicado en:Journal of Modern Literature Vol. 43; no. 2; pp. 1 - 21
Autor principal: Khalifa, Rached
Formato: Artículo
Publicado: Indiana University Press Winter2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=142270197&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 142270197
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        0022281X
        JML
      jtl: Journal of Modern Literature
      issn: 0022281X
      maglogo: N
    pubinfo:
      dt: Winter2020
      vid: 43
      iid: 2
      pid: 211
      pub: Indiana University Press
    artinfo:
      ui:
        142270197
        10.2979/jmodelite.43.2.01
      ppf: 1
      ppct: 20
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 707KB
      tig:
        atl: "The Echo-Harbouring Shell": Of Shells and Selves in Paul Valéry and W.B. Yeats.
      aug:
        au: Khalifa, Rached
        affil: University of Tunis El-Manar, Tunisia
      su:
        Echo
        Yeats, W. B. (William Butler), 1865-1939
        Valéry, Paul, 1871-1945
        Subjectivity
        Poetry (Literary form)
      sug:
        subj:
          Echo
          Yeats, W. B. (William Butler), 1865-1939
          Valéry, Paul, 1871-1945
          Subjectivity
          Poetry (Literary form)
      keyword:
        Paul Valéry
        selfhood
        shell
        William Butler Yeats
      ab: In myth, Echo lives in hollow places. Gaston Bachelard advances the shell as one of those locations. W.B. Yeats and Paul Valéry, however, deploy it as a physical object and a poetic trope. For them, the shell is a figure of echo of both poetry and subjectivity. Yet where Yeats uses the figure in his poetry, namely his juvenilia, Valéry devotes a philosophical treatise to the mollusk. Both collude and collide in their examination and figuration of the shell. If Yeats associates it with his own poetic growth, that is, as a figure of self-appraisal through self-echoing, Valéry considers this "marvelous thing" a perfect occasion for the mind to engage in a philosophical inquiry into the origins of poetic and metaphysical genesis and destination. Here conchology rhymes with phenomenology. The shell, as an echoic trope, rectifies Yeats's aesthetic and even political trajectory. In Valéry, however, the observer's inquiry is left unresolved. Poetic genesis remains as enigmatic as the shell's and self's inner formation.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Journal of Modern Literature is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Journal of Modern Literature
      holder: Indiana University Press
      dt:
        @attributes:
          year: 2020
    holdings:
      @attributes:
        islocal: N