Adding Mathematics to Modernist Studies.

In Modernism, Fiction, and Mathematics, Nina Engelhardt shows that modernist studies scholars should attend to mathematics, a discipline that experienced radical transformations and internal divisions in the early twentieth century. Far from the most realist or authoritative science, mathematics, En...

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Publicado en:Journal of Modern Literature Vol. 43; no. 2; pp. 186 - 190
Autor principal: Rebecah, Pulsifer
Formato: Artículo
Publicado: Indiana University Press Winter2020
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Rebecah, Pulsifer
        affil: Ohio Federation of Teachers
      su:
        Modernism (Christian theology)
        Fiction
        Mathematics
        Engelhardt, Nina
        Scholars
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        subj:
          Modernism (Christian theology)
          Fiction
          Mathematics
          Engelhardt, Nina
          Scholars
      keyword:
        foundational crisis
        Hermann Broch
        mathematics
        Robert Musil
        Thomas Pynchon
      ab: In Modernism, Fiction, and Mathematics, Nina Engelhardt shows that modernist studies scholars should attend to mathematics, a discipline that experienced radical transformations and internal divisions in the early twentieth century. Far from the most realist or authoritative science, mathematics, Engelhardt argues, shares with literature a common investment in form, symbolic abstraction, and epistemological flexibility. The book's chapters examine how Hermann Broch's The Sleepwalkers, Robert Musil's The Man Without Qualities, and Thomas Pychon's Against the Day and Gravity's Rainbow use mathematics to explore modernist formal experimentations and epistemological insecurities. Modernism, Fiction, and Mathematics locates the presence of mathematics in modernist literature and postmodernist reconsiderations of modernism, demonstrating that a wider variety of interdisciplinary engagements will be productive for modernist studies.
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