On Magic, Time and Exchange: The Arts of Sophia of Mecklenburg‐Güstrow and Anna of Denmark‐Norway.
This essay has two distinct if closely entwined threads. The first takes its cue from a pair of earrings commissioned by Anna of Denmark‐Norway, Queen of Scotland and England. These are situated within certain dynastic traditions of patronage that Anna acquired primarily from her mother, Sophia of M...
| Publicado en: | Art History Vol. 43; no. 2; pp. 384 - 412 |
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| Formato: | Artículo |
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Oxford University Press / USA
Apr2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=142479505&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 142479505 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01416790 ARH jtl: Art History issn: 01416790 maglogo: N pubinfo: dt: Apr2020 vid: 43 iid: 2 pid: 622 pub: Oxford University Press / USA artinfo: ui: 142479505 10.1111/1467-8365.12501 ppf: 384 ppct: 28 formats: tig: atl: On Magic, Time and Exchange: The Arts of Sophia of Mecklenburg‐Güstrow and Anna of Denmark‐Norway. aug: au: Thøfner, Margit su: Anne, Queen, consort of James I, King of England, 1574-1619 Sophia, Duchess of Mecklenburg Magical thinking Spacetime Earrings sug: subj: Anne, Queen, consort of James I, King of England, 1574-1619 Sophia, Duchess of Mecklenburg Magical thinking Spacetime Earrings ab: This essay has two distinct if closely entwined threads. The first takes its cue from a pair of earrings commissioned by Anna of Denmark‐Norway, Queen of Scotland and England. These are situated within certain dynastic traditions of patronage that Anna acquired primarily from her mother, Sophia of Mecklenburg‐Güstrow. The second thread is more about method; it advocates the art‐historical utility of magical thinking. Such thinking is helpful because it comes with a productive and transgressive fluidity that makes it easier to incorporate equally fluid dimensions such as time and space into art‐historical enquiry. Consequently, it becomes easier to understand what works of art actually do, how they operate by means of transformation. So magical thinking is particularly pertinent to this issue of "Art History," focused, as it is, on the polity of Denmark with its considerable history of fluidity and longevity. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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