SINTAKTOSTILEMI U ROMANIMA HRVATSKE PROZE U TRAPERICAMA.
The paper analyzes syntactic style intensifiers in three Croatian jeans-prose novels: Kratki izlet by Antun Soljan, Kuzis, stari moj by Zvonimir Majdak and Bolja polovica hrabrosti by Ivan Slamnig. It covers phenomena and procedures at the syntactic level (decomposed predicate, ellipsis, reticention...
| Publicado en: | HUM: Journal of the Faculty of Arts at the University of Mostar Vol. 14; no. 22; pp. 156 - 172 |
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| Formato: | Artículo |
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University of Mostar, Faculty of Arts
2019
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The paper analyzes syntactic style intensifiers in three Croatian jeans-prose novels: Kratki izlet by Antun Soljan, Kuzis, stari moj by Zvonimir Majdak and Bolja polovica hrabrosti by Ivan Slamnig. It covers phenomena and procedures at the syntactic level (decomposed predicate, ellipsis, reticention, nominative sentences, parceling, inversion, repetitions and epithets) in which we find discrepancies from the usual sentence structure. Since jeans-prose is concerned with stylization of spoken language, procedures such as ellipsis and reticention are used to make impression of spontaneity and unpreparedness, while repetitions can reveal emotional state of protagonists besides contributing to easiness and relaxation. U radu se analiziraju sintaktostilemi u trima romanima hrvatske proze u trapericama: Kratki izlet Antuna Šoljana, Kužiš, stari moj Zvonimira Majdaka i Bolja polovica hrabrosti Ivana Slamniga. Obuhvaćene su pojave i postupci na sintaktičkoj razini (dekomponirani predikat, elipsa, reticencija, nominativne rečenice, parcelacija, inverzija, ponavljanja i epiteti) u kojima nalazimo odstupanja od ustaljene rečenične strukture. Budući da je u prozi u trapericama riječ o stilizaciji usmenoga govora, postupcima poput elipse i reticencije postiže se dojam spontanosti i nepripremljenosti, dok, primjerice, ponavljanja, osim što pridonose neusiljenosti i opuštenosti, mogu otkrivati i emocionalna stanja protagonista. |
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