Presence Without Identification: Vicarious Photography and Postcolonial Figuration in Belarus*.
This article explores photographic works produced by key members of the Minsk School of Photography before and after the collapse of the USSR in the 1980s and 1990s. Mostly reworking found images from the Soviet past, these artists employed the visual language of that period to disassociate themselv...
| Publicado en: | October no. 164; pp. 49 - 89 |
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| Formato: | Artículo |
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MIT Press
Spring2018
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| Acceso en línea: | Ver este registro en EBSCOhost |