Florence Henri's Oblique∗.
This essay considers Florence Henri's interwar photographic project from the standpoint of phenomenology. In doing so, it displaces the disinterested formalist framework that generally straightjackets her work to look askance at the terrain of subject-object relations that was urgently being rethoug...
| Publicado en: | October no. 172; pp. 8 - 35 |
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| Formato: | Artículo |
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MIT Press
Spring2020
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| Acceso en línea: | Ver este registro en EBSCOhost |