Cosmopolitan Planetarity: Translating Multilingual Affectivity.
As an umbrella term, the planetary has become a type of placeholder for many different ways of rethinking how the human and the non-human interact in relation to space and time (national time, colonial time, deep time). As well, when we engage with marginalized epistemologies associated with, for ex...
| Publicado en: | Caietele Echinox Vol. 38; pp. 75 - 87 |
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| Formato: | Artículo |
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Echinox Cultural Foundation
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=144331406&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 144331406 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1582960X 90EZ jtl: Caietele Echinox issn: 1582960X maglogo: N pubinfo: dt: 2020 vid: 38 pid: 52779 pub: Echinox Cultural Foundation artinfo: ui: 144331406 10.24193/cechinox.2020.38.05 ppf: 75 ppct: 12 formats: fmt: @attributes: type: P size: 687KB tig: atl: Cosmopolitan Planetarity: Translating Multilingual Affectivity. aug: au: Gunew, Sneja affil: University of British Columbia, Canada su: Multilingualism Spacetime Human beings Translations Tawada, Yoko, 1960- sug: subj: Multilingualism Spacetime Human beings Translations Tawada, Yoko, 1960- keyword: Biodiversity Ethno-Ethics Geo-Poetics Imaginary Memory Usumacinta ab: As an umbrella term, the planetary has become a type of placeholder for many different ways of rethinking how the human and the non-human interact in relation to space and time (national time, colonial time, deep time). As well, when we engage with marginalized epistemologies associated with, for example, Indigenous and other non- European cultures, what kind of planetarity is constructed then? And what types of affect does planetarity generate (for example, between the human and the in/non-human) in these contexts? Language and the necessity for multilingual translations of affective concepts are at the core of such questions. My paper will consider an uncomfortable cosmopolitan planetary affect in relation to the Inuit writer Tanya Tagaq's Split Tooth, the Korean novelist Han Kang's The Vegetarian and the Japanese German writer Yoko Tawada. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Caietele Echinox is the property of Echinox Cultural Foundation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Caietele Echinox holder: Echinox Cultural Foundation dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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