THEME AND LYRICISM: TWO CONSIDERATIONS IN THE ISLAMIC WRITING TRADITION MOTIVATING MUSLIM AUTHORS IN NAMING THEIR WORKS.
The implementation of the sajʿ (rhymed prose) style for the denomination of works is a writing tradition among medieval Muslim intellectuals and a widespread artistic effort that is still extant today. Indeed, thematic restriction has played a role as a motivating factor in the creativity of authors...
| Publicado en: | Ilahiyat Studies Vol. 11; no. 1; pp. 111 - 144 |
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| Formato: | Artículo |
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Ilahiyat Studies
Winter/Spring2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=144367117&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 144367117 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13091786 K5EI jtl: Ilahiyat Studies issn: 13091786 maglogo: N pubinfo: dt: Winter/Spring2020 vid: 11 iid: 1 pid: 30673 pub: Ilahiyat Studies artinfo: ui: 144367117 10.12730/13091719.2020.111.202 ppf: 111 ppct: 33 formats: fmt: @attributes: type: P size: 6.4MB tig: atl: THEME AND LYRICISM: TWO CONSIDERATIONS IN THE ISLAMIC WRITING TRADITION MOTIVATING MUSLIM AUTHORS IN NAMING THEIR WORKS. aug: au: Şahin, Şener affil: Bursa Uludağ University, Bursa-Turkey su: Muslims Book titles Authors Religions Aesthetics sug: subj: Muslims Book titles Authors Religions Aesthetics keyword: aesthetics book title embellished prose Islamic writing tradition names of works onomastics sajʿ (rhymed prose) ab: The implementation of the sajʿ (rhymed prose) style for the denomination of works is a writing tradition among medieval Muslim intellectuals and a widespread artistic effort that is still extant today. Indeed, thematic restriction has played a role as a motivating factor in the creativity of authors in the classical era in terms of sajʿ. The objective of this paper is to present the distinctive solidarity between theme and sajʿ that stands out in the book titles of countless Islamic classics by means of a comprehensive examination of book names by Muslim authors between the 3rd and 10th centuries AH. This paper also attempts to identify why scholars could not renounce thematic restrictions and aesthetics based on ornamental sensibility when naming their scientific works. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Ilahiyat Studies is the property of Ilahiyat Studies and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Ilahiyat Studies holder: Ilahiyat Studies dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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