What makes theatre modern?: an interview with Kuo Pao Kun by Quah Sy Ren.
Kuo Pao Kun (1939–2002) was often regarded as the doyen of Singapore theatre. The interview reveals how his theatre practice in the 1960s–1970s worked through Chinese theatre (in both its spoken and more traditional sung forms), Brechtian theatre (with its alienation effect) and modern Russian theat...
| Publicado en: | Inter-Asia Cultural Studies Vol. 21; no. 2; pp. 189 - 199 |
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| Autores principales: | , , , |
| Formato: | Interview |
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Taylor & Francis Ltd
Jun2020
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=144636588&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 144636588 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14649373 B8U jtl: Inter-Asia Cultural Studies issn: 14649373 maglogo: N pubinfo: dt: Jun2020 vid: 21 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 144636588 10.1080/14649373.2020.1759875 ppf: 189 ppct: 10 formats: fmt: – @attributes: type: T – @attributes: type: P size: 795KB tig: atl: What makes theatre modern?: an interview with Kuo Pao Kun by Quah Sy Ren. aug: au: Kuo, Pao Kun Quah, Sy Ren Wong, Chee Meng Wee, C. J. W.-L. affil: Chinese, Nanyang Technological University, Singapore English, Nanyang Technological University, Singapore su: Kuo Pao Kun Theaters Naturalism Economic development Singapore sug: subj: Singapore Kuo Pao Kun Theaters Naturalism Economic development keyword: Chinese theatre economic development and theatre non-realist theatre Russian naturalism in theatre theatre in Singapore ab: Kuo Pao Kun (1939–2002) was often regarded as the doyen of Singapore theatre. The interview reveals how his theatre practice in the 1960s–1970s worked through Chinese theatre (in both its spoken and more traditional sung forms), Brechtian theatre (with its alienation effect) and modern Russian theatre (in its naturalistic form) in the attempt to form a flexible modern Chinese-language theatre in Singapore that could intellectually engage with the city-state's economic-development imperatives during the height of the Cold War. This interview is an extract from a longer interview conducted by Quah Sy Ren in 2002. pubtype: Academic Journal doctype: Interview src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Inter-Asia Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Inter-Asia Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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