The iconographic role of azulejo frames.
This article documents the relations between the verbal and visual elements found on the frames used in Portuguese tile decorations. Frames are a constant presence in the history of Portuguese azulejos, from the late fifteenth century to the present day. Their role is to integrate the decorations wi...
| Published in: | Word & Image Vol. 36; no. 2; pp. 135 - 166 |
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| Format: | Article |
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Taylor & Francis Ltd
Apr-Jun2020
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=144848093&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 144848093 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02666286 BE7 jtl: Word & Image issn: 02666286 maglogo: Y pubinfo: dt: Apr-Jun2020 vid: 36 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 144848093 10.1080/02666286.2019.1639347 ppf: 135 ppct: 31 formats: tig: atl: The iconographic role of azulejo frames. aug: au: de Carvalho, Rosário Salema su: Azulejos (Ceramic tiles) Structural frames Tile design Decoration & ornament Portuguese architecture Portuguese art sug: subj: Azulejos (Ceramic tiles) Structural frames Tile design Decoration & ornament Portuguese architecture Portuguese art keyword: Azulejo (tile) Baroque emblems frames ab: This article documents the relations between the verbal and visual elements found on the frames used in Portuguese tile decorations. Frames are a constant presence in the history of Portuguese azulejos, from the late fifteenth century to the present day. Their role is to integrate the decorations within the surrounding architecture and other artforms (mainly gilt woodwork, easel painting, polychrome marble inlays, ceiling painting, sculptures, and textiles), as well as to structure systems with a varying degree of complexity, usually subordinated to the idea of artistic totality. Throughout the centuries, changes in taste have influenced the different kinds of frames, often regarded as a minor part of the decoration, and therefore more open to the introduction of new artistic styles. In the light of all this, it is clear that frames are not mere finishing elements, but an important means of designing architectural spaces and structuring tile decorations. Moreover, frames are often the vehicle for a visual and textual discourse that is part of the iconographic programme they enclose. As such, they play a decisive role in the history of Portuguese azulejos, highly relevant for today's international frame studies, and for the dialogue between images and words. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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