La Palmada en la Frente (1970): Political Cartoons, the Global Sixties, and Popular Culture in Chile.
This article examines the case of La Palmada en la Frente (1970), a one-issue political cartoon magazine, drawn and written by cartoonist Lugoze and produced in the context of a scare campaign against the possible election of the socialist Salvador Allende (1969–1970). This ephemeral document belong...
| Publicado en: | Studies in Latin American Popular Culture Vol. 38; pp. 22 - 52 |
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| Formato: | Artículo |
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University of Texas Press
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=144920258&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 144920258 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07309139 LPC jtl: Studies in Latin American Popular Culture issn: 07309139 maglogo: N pubinfo: dt: 2020 vid: 38 pid: 519 pub: University of Texas Press artinfo: ui: 144920258 10.7560/slapc3802 ppf: 22 ppct: 30 formats: fmt: – @attributes: type: T – @attributes: type: P size: 22.1MB tig: atl: La Palmada en la Frente (1970): Political Cartoons, the Global Sixties, and Popular Culture in Chile. aug: au: Hermosilla, Matías su: Allende Gossens, Salvador, 1908-1973 Socialists Cartoonists Stereotypes Popular culture sug: subj: Allende Gossens, Salvador, 1908-1973 Socialists Cartoonists Stereotypes Popular culture ab: This article examines the case of La Palmada en la Frente (1970), a one-issue political cartoon magazine, drawn and written by cartoonist Lugoze and produced in the context of a scare campaign against the possible election of the socialist Salvador Allende (1969–1970). This ephemeral document belonged to a larger group of publications that used humor and cartoons as ideological weapons. An extensive examination of this source allows a recast of the relationship between popular culture and politics in the Chilean experience of the global sixties. This essay argues that political cartoons work as a portal through which to understand behaviors, social problems, prejudices, fears, stereotypes, and myths that can enforce and challenge the study of Latin American popular culture and the sixties. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Studies in Latin American Popular Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studies in Latin American Popular Culture holder: University of Texas Press dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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