Art After the Plague: HOW PAINTERS THROUGH THE AGES HAVE RESPONDED TO CONTAGION, PESTILENCE, AND DEADLY EPIDEMICS.

The article focuses on how painters have responded through their paintings to contagion, pestilence and deadly epidemics. It mentions frescoes were nearly destroyed when an Allied bomb struck the cemetery in 1944, incinerating the wooden roof of the monumental cloister and the beaten reeds that anch...

Descripción completa

Detalles Bibliográficos
Publicado en:American Scholar Vol. 89; no. 4; pp. 48 - 57
Autor principal: ROWLAND, INGRID D.
Formato: Artículo
Publicado: Phi Beta Kappa Society Autumn2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=145276294&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 145276294
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00030937
        AMS
      jtl: American Scholar
      issn: 00030937
      maglogo: N
    pubinfo:
      dt: Autumn2020
      vid: 89
      iid: 4
      pid: 321
      pub: Phi Beta Kappa Society
    artinfo:
      ui: 145276294
      ppf: 48
      ppct: 9
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 11.2MB
      tig:
        atl: Art After the Plague: HOW PAINTERS THROUGH THE AGES HAVE RESPONDED TO CONTAGION, PESTILENCE, AND DEADLY EPIDEMICS.
      aug:
        au: ROWLAND, INGRID D.
      su:
        Painters
        Communicable diseases
        Pandemics
        Fresco painting
        Landscape painting
      sug:
        subj:
          Painters
          Communicable diseases
          Pandemics
          Fresco painting
          Landscape painting
      ab: The article focuses on how painters have responded through their paintings to contagion, pestilence and deadly epidemics. It mentions frescoes were nearly destroyed when an Allied bomb struck the cemetery in 1944, incinerating the wooden roof of the monumental cloister and the beaten reeds that anchored the frescoed plaster to the building's marble walls. It also mentions pale horse and his rider sweep across the landscape.
      pubtype: Periodical
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of American Scholar is the property of Phi Beta Kappa Society and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: The American Scholar
      holder: Phi Beta Kappa Society
      dt:
        @attributes:
          year: 2020
    holdings:
      @attributes:
        islocal: N