Arabic takhalluṣ, Persian Style in Muḥammad al-Ṣūfī's Poems to Muḥammad the Prophet.

Though a signature verse (takhalluṣ) is often found in medieval Persian and Ottoman Turkish poetry, this is less frequently the case in Arabic poetry at this time. However, Muḥammad Ibn al-Shihābī al-Ṣūfī included such a signature verse in 38 Arabic poems, many inspired by recitations of Ibn al-Fāri...

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Publicado en:Journal of Arabic Literature Vol. 51; no. 3/4; pp. 325 - 351
Autor principal: Homerin, Th. Emil
Formato: Artículo
Publicado: Brill Academic Publishers 2020
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Arabic takhalluṣ, Persian Style in Muḥammad al-Ṣūfī's Poems to Muḥammad the Prophet.
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        au: Homerin, Th. Emil
        affil: University of Rochester, Rochester, New York, USA
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        Muhammad, Prophet, d. 632
        Poetry (Literary form)
        Chants
        Prophets
        Persian poetry
        Translations
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          Muhammad, Prophet, d. 632
          Poetry (Literary form)
          Chants
          Prophets
          Persian poetry
          Translations
      keyword:
        ʿĀʾishah al-Bāʿūniyyah
        ʿAlī Sibṭ Ibn al-Fāriḍ
        al-Būṣīrī
        al-madīḥ al-nabawī
        Banū al-Shihāb
        Chester Beatty manuscript Ar 3526
        Ibn Abī Ḥajalah
        Ibn al-Fāriḍ
        Muḥammad Ibn al-Shihābī al-Ṣūfī
        Muḥammad the prophet
        munshid
        signature verse
        takhalluṣ
        zajal
      ab: Though a signature verse (takhalluṣ) is often found in medieval Persian and Ottoman Turkish poetry, this is less frequently the case in Arabic poetry at this time. However, Muḥammad Ibn al-Shihābī al-Ṣūfī included such a signature verse in 38 Arabic poems, many inspired by recitations of Ibn al-Fāriḍ's poetry. This article offers a critical Arabic edition and English translation of two of these poems, followed by an extensive discussion of linguistic and stylistic aspects of Ibn al-Shihābī's Arabic and poetic style. Both poems also highlight trends in Arabic poetry at the end of the 9th/15th century, including the incorporation of elements from regional varieties of Arabic, and Ibn al-Shihābī's innovative use of the signature verse, which may reflect the influence of Sufi chanting practices.
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    language: English
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